|
|
|
Portrait of one Mr.Brignole Painting ID:: 41193
|
Dyck, Anthony van Portrait of one Mr.Brignole mk157
1621-25
Oil on canvas
205x125cm
|
|
|
|
|
|
|
|
Portrait of James Stuart,Duke of Richmond and Fourth Duke of Lennox Painting ID:: 41330
|
Dyck, Anthony van Portrait of James Stuart,Duke of Richmond and Fourth Duke of Lennox mk161
oil on canvas
|
|
|
|
|
|
|
|
Detail of the Rest on the Flight into Egypt Painting ID:: 51724
|
Dyck, Anthony van Detail of the Rest on the Flight into Egypt nn09
c.1630
Oil on canvas
215x285.5cm
|
|
|
|
|
|
|
|
mit Zwerg Sir Jeffrey Hudson Painting ID:: 77364
|
Dyck, Anthony van mit Zwerg Sir Jeffrey Hudson 1633(1633)
Medium Oil on canvas
Dimensions Deutsch: 220 ?? 135 cm
cyf
|
|
|
|
|
|
|
|
Gastons de Bourbon Painting ID:: 77701
|
Dyck, Anthony van Gastons de Bourbon Date 1634(1634)
Medium Deutsch: Öl auf Leinwand
English: oil on canvas
Français : huile sur toile
cyf
|
|
|
|
|
|
|
| Prev Artist Next Artist
|
|
Dyck, Anthony van
|
Flemish Baroque Era Painter, 1599-1641
Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, |
Related Artists::. | LIMBOURG brothers | David Allan | Emil Carlsen | |
|