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Dyck, Anthony van Portrait of one Mr.Brignole oil painting


Portrait of one Mr.Brignole
Painting ID::  41193
Dyck, Anthony van
Portrait of one Mr.Brignole
mk157 1621-25 Oil on canvas 205x125cm

   
   
     

Dyck, Anthony van Portrait of James Stuart,Duke of Richmond and Fourth Duke of Lennox oil painting


Portrait of James Stuart,Duke of Richmond and Fourth Duke of Lennox
Painting ID::  41330
Dyck, Anthony van
Portrait of James Stuart,Duke of Richmond and Fourth Duke of Lennox
mk161 oil on canvas

   
   
     

Dyck, Anthony van Detail of the Rest on the Flight into Egypt oil painting


Detail of the Rest on the Flight into Egypt
Painting ID::  51724
Dyck, Anthony van
Detail of the Rest on the Flight into Egypt
nn09 c.1630 Oil on canvas 215x285.5cm

   
   
     

Dyck, Anthony van mit Zwerg Sir Jeffrey Hudson oil painting


mit Zwerg Sir Jeffrey Hudson
Painting ID::  77364
Dyck, Anthony van
mit Zwerg Sir Jeffrey Hudson
1633(1633) Medium Oil on canvas Dimensions Deutsch: 220 ?? 135 cm cyf

   
   
     

Dyck, Anthony van Gastons de Bourbon oil painting


Gastons de Bourbon
Painting ID::  77701
Dyck, Anthony van
Gastons de Bourbon
Date 1634(1634) Medium Deutsch: Öl auf Leinwand English: oil on canvas Français : huile sur toile cyf

   
   
     

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     Dyck, Anthony van
     Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,

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